Edward Ihnatowicz (born 14 February 1926 - died 1988, London) was a Polish cybernetic art sculptor active in the late 1960s and early 1970s. His sculptures explored the interaction between his robotic works and the audience. He was a pioneer of the use of computers in art and especially robots as art. As Eduardo Kac states.
Three artworks created in the mid and late sixties stand as landmarks in the development of robotic art: Nam June Paik and Shuya Abe's Robot K-456 (1964), Tom Shannon's Squat (1966), and Edward Ihnatowicz's The Senster (1969-1970). While these works are very significant in their own right, they acquire a particular meaning when re-considered today, since seen together they also configure a triangle of new aesthetic issues that has continually informed the main directions in robotic art.
He was an active member of the Computer Arts Society.