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American Oil Painting Flowers Chrysanthemums in Vase by Emily Selinger
REF: LA489586
£2,700
€3,124
$3,609
LoveAntiques Dealersince Mar 2017Approved item529 sales by dealerAvailable for local pick-up
LoveAntiques Dealersince Mar 2017Approved item529 sales by dealerAvailable for local pick-up
Fine art realism Victorian 19th century oil painting still life flowers.
Chrysanthemums in Vase by Emily Selinger.
Impress your clients and guests in your office or home with this stunning floral masterpiece - add it to your collection today.
Style: realism.
Subject: still life scene of beautiful chrysanthemums in purple and white colours with a golden yellow centre set in magnificent green glazed vase. Some of the petals have fallen onto the table along with a few flower heads, the window sill curtain is draped closed over at the back.
The beautiful multi colours, the individual flower petals are so vivid and lifelike, the vase looks so real especially with the light shine showing on it and the textures, totally amazing detail which you will treasure as a family heirloom and love!
Signed by the known listed American artist Emily Selinger.
Oil on canvas with a protective board cover on the back.
Title Still Life, “Vase of Chrysanthemums” By Emily Selinger.
In our opinion this is one of her very finest works.
So sought after by private collectors, interior designers, galleries & museums.
Origin from the USA.
Set in a rather attractive later stylish decorative gilt moulded frame which enhances this painting even further.
With hanging thread on the back ready for immediate home display.
Artist biography:- Emily Selinger (née McGary, February 22, 1848 – July 16, 1927) was an American painter of still life and floral, author of travel writing and poetry, and an educator. Emily Harris McGary was born in Wilmington, North Carolina, February 22, 1848.
Her parents were James and Elizabeth Otis Paine (Keller) McGary. She was a descendant on her father's side of Flora McDonald. Her father, a planter, amassed a fortune in the East India trade. He died just before the American Civil War, and his family were stripped of the large fortune left them through the mismanagement of a relative and by the war. The mother took her three young daughters to Providence, Rhode Island, to educate them.
Selinger was a precocious child, showing aptitude for anything in the line of music, art and language. She finished the high school course in Providence, studied with private tutors, and ended with a course in the Cooper Institute School of Design in New York City. With art, she studied medicine, but decided not to attempt to practice in that field.
At the age of nineteen, she taught in southern schools, acting as instructor in painting, drawing, elocution, botany, French and Latin for seven years in various institutions. While teaching in Louisville, Kentucky, she read a paper on "Art Education" before a gathering of five hundred teachers, which resulted in the establishment of a normal art school in that city, of which she was principal.
Ill-health compelled her to go north, and she returned to Providence, where she opened a studio. In Providence, on October 9, 1882, she married Jean Paul Selinger (1850–1909), the artist. From 1882 to 1885, they traveled in Europe, studying in Italy, and while abroad Mrs. Selinger corresponded for the Boston Transcript.
She became a student of flower painting, and earned the title "Emily Selinger, the Rose Painter." Returning to the United States, Mr. and Mrs. Selinger settled in Boston, Massachusetts. Her work was popular, and her rose pictures were found in notable collections in the U.S. She was also a successful author. She was a member of the New England Woman's Press Association, as well as an honorary artist member of the Professional Woman's Club. She had summer studios in New Hampshire; from the mid 1880s, at Glen House, and from 1894, at Crawford House. Selinger exhibited at the Academy of Design (New York), Boston Art Club, and the Pennsylvania Academy of Fine Arts.
Selinger was awarded the silver medal twice at the Mechanics' Association exhibits, and first prizes at several state fairs.
Selinger was Roman Catholic by religion.
Emily McGary Selinger died in Providence, Rhode Island, July 16, 1927. Her papers, as well as those of her husband, are held at the Archives of American Art. Her publications Over the garden wall. Oh! I found so many beautiful things. Chromatics, 1915. "A prayer for peace sent out to the world by the New England Women's Press Association", 1915. Song she collaborated with Two roses" (music by Hallett Gilberté; arranged by Louis Victor Saar; words by Emily Selinger).
Research incorporates text from the following sources source, which is in the public domain: Marquis, A.N. (1909). "Selinger, Emily Washington Mcgary". Who's who in New England (Public domain ed.). A.N. Marquis. p. 834.This article incorporates text from this source, which is in the public domain: Willard, Frances Elizabeth; Livermore, Mary Ashton Rice (1893). "Selinger, Mrs. Emily Harris McGary". A Woman of the Century: Fourteen Hundred-seventy Biographical Sketches Accompanied by Portraits of Leading American Women in All Walks of Life (Public domain ed.). Moulton. p. 640. Marquis 1909, p. 834. "Emily and Jean Paul Selinger papers, 1882–1918". Smithsonian Institution. Retrieved 17 March 2018. Willard & Livermore 1893, p. 640. Emily Harris McGary 22 February 1848 – 16 July 1927 • K8PT-464". www.familysearch.org. Retrieved 1 December 2022.
Provenance stamped verso James Swope Fine Arts Conversation Inc West Palm Beach Florida USA with a high end Shire auction label & now in the Collection of Cheshire Antiques Consultant.
measurements
Height:
60 cm
Width:
70 cm
Depth:
7 cm
measurements
declaration
Cheshire Antiques Consultant LTD has clarified that the American Oil Painting Flowers Chrysanthemums in Vase by Emily Selinger (LA489586) is genuinely of the period declared with the date/period of manufacture being Late 19th century
declaration
condition
condition
Offered in fine used condition.
Having surface foxing stains and craquelure to the canvas. Stretcher lines are showing through towards the top area. The frame has general wear, dust, stains with some chips commensurate with usage and age.