About Cheshire Antiques Consultant LTD®
Independent British Fine Art & Antiques Dealers | Historic Paintings, Portraiture, Sporting Art & Decorative Arts
Cheshire Antiques Consultant LTD® is an independent, family-run British fine art and antiques dealership and online gallery, incorporated in England and Wales on 22 April 2024 under company registration number 15666518.
Led by directors Michael and Victoria, the company specialises in carefully selected British and European paintings, sculpture and decorative arts, serving private collectors, galleries, interior designers, art consultants and institutional buyers throughout the United Kingdom and internationally.
With our registered office in Covent Garden, London, and trading operations based in Cheshire, we combine historical research, considered attribution, detailed condition reporting and professional customer service.
Our approach emphasises artistic quality, historical significance, transparency and the preservation of original works of art.
Professional Memberships, Industry Affiliations & Recognition
Fine Art Trade Guild – Elected Member
Cheshire Antiques Consultant LTD® is an elected member of the Fine Art Trade Guild, a recognised professional organisation supporting standards, integrity and responsible practice within the fine art and framing industries.
Our membership reflects our commitment to professional conduct, ethical trading and the accurate presentation of original works of art.
The House Directory – Select Member
We are a Select Member of The House Directory, a specialist British directory connecting interior designers, architects, private clients and design professionals with established suppliers and specialist businesses.
Our published profile highlights our expertise in British and European fine art, historic portraiture, sporting paintings, sculpture and decorative antiques.
https://www.thehousedirectory.com/company/cheshire-antiques-consultant-ltd/
HMRC – Registered Art Market Participant
Cheshire Antiques Consultant LTD® is registered with HM Revenue & Customs as an Art Market Participant under registration number XRML00000211615.
We maintain appropriate anti-money laundering and financial sanctions compliance procedures in accordance with applicable United Kingdom legislation.
Registered United Kingdom Trade Mark
Cheshire Antiques Consultant LTD® is a registered United Kingdom trade mark under registration number UK00004303420.
Private Online Gallery
Private Virtual Viewings by Appointment
We operate exclusively online and do not maintain a public showroom.
Private one-to-one virtual viewings are available by appointment, allowing prospective purchasers to examine artworks remotely and discuss condition, dimensions, attribution, provenance and historical context.
High-resolution photographs, additional images and detailed condition information are available upon request.
We aim to provide collectors with the information necessary to make informed purchasing decisions.
Areas of Specialisation
Fine Art & Works of Art | 17th–21st Century
Our principal specialisms include:
- British and European oil paintings, watercolours and mixed-media works
- Historic portraiture and figurative paintings
- Marine, naval and maritime subjects
- Equestrian, hunting and sporting paintings
- Animal paintings and rural subjects
- Landscapes, coastal views and cityscapes
- Still life, interiors and genre compositions
- Military and historical subjects
- Sculpture and three-dimensional works
Our catalogue includes works by identified artists, attributed paintings, historical schools and carefully researched unsigned compositions.
Each artwork is selected with consideration for artistic quality, condition, historical interest, provenance where established, and decorative merit.
Antiques & Decorative Arts
Our wider collection may include:
- Bronze and other sculpture
- Hallmarked silver and decorative metalwork
- Antique carved objects
- Porcelain, glassware and ceramics
- Decorative wall art
- Garden and architectural antiques
- Collectible decorative objects dating principally from the 18th to 20th century
Our inventory is continually evolving, with pieces selected for their craftsmanship, individuality and suitability for traditional and contemporary interiors.
Sustainability & Enduring Craftsmanship
We actively support sustainability within the fine art and antiques trade through the preservation, continued appreciation and responsible reuse of historic works of art and decorative objects.
By extending the useful life of existing pieces, the antiques trade can help reduce demand for newly manufactured decorative goods while preserving traditional craftsmanship and cultural heritage.
Historic paintings, sculpture and period furnishings bring individuality, character and enduring aesthetic value to both traditional and contemporary interiors.
Payments & Purchasing
Purchases are arranged in accordance with the applicable LoveAntiques purchasing arrangements and our company Terms & Conditions.
We accept secure online card payments, PayPal, Klarna, Apple Pay and Google Pay, where available, for transactions up to £5,000.
Transactions exceeding £5,000 are payable by bank transfer.
Proforma invoices containing our company payment details are available upon request.
Cash on collection may be accepted by prior written arrangement, subject to a maximum of £8,000 and applicable legal and anti-money laundering requirements.
All transactions remain subject to availability, applicable payment requirements and relevant consumer protection legislation.
Shipping & Delivery
UK and worldwide shipping is available.
Delivery quotations are provided upon request, taking into account the artwork's dimensions, value, destination and specialist handling requirements.
Artworks are carefully and professionally packaged using appropriate protective materials.
We use established tracked courier services, including DHL, FedEx, DPD and Parcelforce, together with specialist fine art transport providers where appropriate.
Insured delivery services are arranged where available, subject to the applicable insurance terms, exclusions and coverage.
Larger paintings, antique furniture and particularly fragile objects may require specialist door-to-door transportation.
Customs & International Orders
International orders are generally supplied on a Delivered at Place (DAP) basis unless otherwise agreed in writing.
Under DAP arrangements, international purchasers are responsible for applicable import duties, import VAT, customs clearance charges and other destination-country taxes or fees.
Following the United Kingdom's departure from the European Union, EU customers may be subject to additional import procedures and charges.
Purchasers in the European Union, United States and other international destinations are encouraged to consult their local customs authorities before purchasing.
Where a shipment is refused or returned because of unpaid customs charges, any refund and associated shipping costs will be handled in accordance with the agreed sale terms and applicable consumer protection legislation.
Attribution, Provenance & Condition
All artworks, antiques and decorative objects offered by Cheshire Antiques Consultant LTD® are individually selected and catalogued in good faith using the research, documentation and information available at the time of cataloguing.
Artist attributions, dating, provenance, historical interpretations and related catalogue commentary represent our professional dealer opinion unless expressly identified as established facts supported by documentary evidence.
As many works are antique or previously owned, they may exhibit age-related wear, historic restoration, surface irregularities or other characteristics consistent with their age and history.
Known material condition issues are disclosed in the relevant catalogue descriptions or condition reports.
Prospective purchasers are welcome to request additional photographs, condition information, provenance details or a private virtual viewing before completing a purchase.
Our catalogue research and descriptions do not constitute a formal valuation, independent authentication certificate, investment recommendation or professional appraisal service.
Certificate of Sale & Dealer Attribution
Original artworks are supplied with a Certificate of Sale & Dealer Attribution issued by Cheshire Antiques Consultant LTD®.
The certificate records the relevant catalogue details, attribution, provenance as stated and details of the sale, providing an accompanying document for the artwork's ongoing ownership and provenance record.
The certificate represents our professional dealer attribution and does not constitute independent authentication or a guarantee of future market value.
Returns, Consumer Rights & Important Information
All items remain subject to prior sale and availability.
Purchases are governed by our applicable Terms & Conditions and Returns Policy, together with any applicable LoveAntiques marketplace terms.
Where statutory distance-selling cancellation rights apply, customers are entitled to exercise those rights in accordance with applicable consumer protection legislation.
Nothing in our catalogue descriptions, attribution statements or terms excludes or restricts statutory consumer rights.
Company Information
Cheshire Antiques Consultant LTD®
Registered Office:
71–75 Shelton Street
Covent Garden
London
WC2H 9JQ
United Kingdom
Trading Operations:
Mickle Trafford
Chester
Cheshire
United Kingdom
Please note: We operate exclusively online. We do not maintain a public showroom or offer customer visits at either address.
Company Registration Number: 15666518
Date of Incorporation: 22 April 2024
Registered in England and Wales
VAT Registration Number: GB 466128775
HMRC Art Market Participant Registration: XRML00000211615
Registered UK Trade Mark: UK00004303420
Professional Membership: Fine Art Trade Guild – Elected Member
Industry Directory: The House Directory – Select Member
Website: https://cheshireantiquesconsultantltd.com/
Cheshire Antiques Consultant LTD® – Independent British Fine Art & Antiques Dealers.

Cheshire Antiques Consultant LTD
Verified
Address
71-75 Shelton Street
London
Greater London
United Kingdom
WC2H 9JQ
Opening times
By appointment only
Mobile
+447494 763382
Old Master 18th Century Italian Oil Painting Portrait Pope Clement XIII
REF: LA394361
£11,000
€13,187
$14,723
Secure Payments By
LoveAntiques Dealersince Mar 2017Approved item557 sales by dealerFree Delivery
LoveAntiques Dealersince Mar 2017Approved item557 sales by dealerFree Delivery
Description
A Huge Important rare fine art antique original religious Italian 18th century oil painting portrait of head Catholic Church Pope Clement Xiii beside a cherub holding a bible inscribed 'Profert De Thesauro Suo Nova Et Vetera', bearing further Latin inscription bottom left.
Subject portrait of Pope Clement Xiii.
Italian old master artist.
Set in a magnificent ornate carved gilt frame.
Circa mid 18th century 1760.
Pope Clement Xiii (Latin: Clemens Xiii; 7 March 1693 – 2 February 1769), born Carlo della Torre di Rezzonico, was head of the Catholic Church and ruler of the Papal States from 6 July 1758 to his death in 1769. He was installed on 16 July 1758.
This oil painting on canvas depicting Pope Clement Xiii, painted circa 1760. The painting has been carried out in an exceptional manner, painted by a hand of the greatest skill; creating very realistic impressions within the faces of the pope and cherub.
The painting depicts Pope Clement Xiii next to a Cherub. The Pope is looking directly towards the audience whilst the Cherub is holding the Biblia Sacra.
The Biblia Sacra was written in Venice, Italy, in 1740 by Fransiscum Piteri in which was recognised by Popes Sixtus V and Clement Viii. The Biblia Sacra is the Latin translation of The Holy Bible.
The Pope places his hands in front of him, invoking the audience to join him and the Cherub (Gods messenger on earth) to worship and commemorate the glorification of the newly Beatified Sebastian Maggi. Sebatian Maggi, also known as Blessed Sebastian Maggi O. P. (Order of Preachers) was and Italian Roman Catholic Priest and a member of the Dominicans, he also served as a confessor.
He lived between 1414 and 1496 and was beatified by Pope Clement Xiii on the 15 April 1760 at Saint Peter's Basilica, Papal States. In the painting, the Angel represents the messager of God, carrying God's instructions (Biblia Sacra) , to God's representative on Earth, Pope Clement Xiii to convey the message of the beatification and worship of the Blessed Priest Sebastian Maggi.
The painting would have been commissioned, especially to commemorate the occasion, making it an important piece of Italian Ecclesiastical history. On the Sacred book that the Cherub holds has a Latin written verse from the Biblia Sacra: "Profert De Thesauro Suo Nova Et Vetera" which is from the book of Matthew, 13: 52. There is a further inscription to the bottom left of the painting, the letters pained by hand in Latin, translate to the following: The highest order issued by the grace of God from the year 1740 (referring to the date the Biblia Sacra was published) , for the Head of Priests (Pope Clement Xiii) in 1760 (the year of Sebastian Maggi's beatification) , to invite all to worship the Blessed Martyr Order of Preachers, Sebastian (Sebastian Maggi O. P)
This would have belonged to a Church or monastic institution in Italy. Please note the intricate detail, such as the lacework of the Pope's sleeves and his life-like features, such as the incredible detail of facial hair, wrinkles and even eye vessels.
Pope Clement Xiii His pontificate was overshadowed by the constant pressure to suppress the Society of Jesus but despite this, he championed their order and also proved to be their greatest defender at that time.
He was also one of the few early popes who favoured dialogue with Old Catholic Protestants and to this effect hoped to mend the schism with the Catholic Church that existed in England and the low countries. These efforts ultimately bore little fruit.
His early life Carlo della Torre di Rezzonico was born in 1693 to a recently ennobled family of Venice, the second of two children of the man who bought the unfinished palace on the Grand Canal (now Ca' Rezzonico) and finished its construction. His parents were Giovanni Battista Rezzonico and Vittoria Barbarigo, and he had a brother called Aurelio.
Carlo received a Jesuit education in Bologna and later studied at the University of Padua where he obtained his doctorate in canon law and civil law. From there, he travelled to Rome where he attended the Pontifical Academy of Ecclesiastical Nobles.
In 1716 Rezzonico became the Referendary of the Apostolic Signatura and in 1721 was appointed Governor of Fano. He was ordained to the priesthood on 23 December 1731 in Rome. Pope Clement Xii appointed him to the cardinalate in 1737 as the Cardinal-Deacon of San Nicola in Carcere. He also filled various important posts in the Roman Curia.
Rezzonico was chosen as Bishop of Padua in 1743 and he received episcopal consecration in Rome by Pope Benedict Xiv himself, in the presence of Giuseppe Accoramboni and cardinal Antonio Saverio Gentili as co-consecrators. Rezzonico visited his diocese on frequent occasions and reformed the way that the diocese ran, paying attention to the social needs of the diocese. He was the first to do this in five decades. He later opted to become the Cardinal-Priest of Santa Maria in Aracoeli in 1747 and later still to become the Cardinal-Priest of San Marco in 1755,
Election to the papacy, Pope Benedict Xiv died of gout in 1758 and the College of Cardinals gathered at the papal conclave in order to elect a successor. Direct negotiations between the rival factions resulted in the proposal for the election of Rezzonico. On the evening of 6 July 1758, Rezzonico received 31 votes out of a possible 44, one more than the required amount. He selected the pontifical name of "Clement Xiii" in honor of Pope Clement Xii, who elevated him to the cardinalate. Rezzonico was crowned as pontiff on 16 July 1758 by the protodeacon, Cardinal Alessandro Albani.
Notwithstanding the meekness and affability of his upright and moderate character, he was modest to a fault (he had the classical sculptures in the Vatican provided with mass-produced fig leaves) and generous with his extensive private fortune. He also permitted vernacular translations of the Bible in Catholic countries.
The Jesuits, Clement Xiii'S pontificate was repeatedly disturbed by disputes respecting the pressures to suppress the Jesuits coming from the progressive Enlightenment circles of the philosophes in France.
Clement Xiii placed the Encyclopédie of D'Alembert and Diderot on the Index, but this index was not as effective as it had been in the previous century. More unexpected resistance came from the less progressive courts of Spain, the Two Sicilies, and Portugal. In 1758 the reforming minister of Joseph I of Portugal (1750–77), the Marquis of Pombal, expelled the Jesuits from Portugal, and transported them all to Civitavecchia, as a "gift for the Pope."
In 1760, Pombal sent the papal nuncio home and recalled the Portuguese ambassador from the Vatican. The pamphlet titled the Brief Relation, which claimed the Jesuits had created their own sovereign independent kingdom in South America and tyrannised the Native Americans, all in the interest of an insatiable ambition and avarice,[1] did damage to the Jesuit cause as well.
Clement Xiii'S tomb in St. Peter's Basilica
On 8 November 1760, Clement Xiii issued a Papal bull Quantum ornamenti, which approved the request of King Charles Iii of Spain to invoke the Immaculate Conception as the Patroness of Spain, along with its eastern and western territories, while continuing to recognize Saint James the Greater as co-patron.
In France, the Parliament of Paris, with its strong upper bourgeois background and Jansenist sympathies, began its campaign to expel the Jesuits from France in the spring of 1761, and the published excerpts from Jesuit writings, the Extrait des assertions, provided anti-Jesuit ammunition (though, arguably, many of the statements the Extrait contained were made to look worse than they were through judicious omission of context).
Though a congregation of bishops assembled at Paris in December 1761 recommended no action, Louis Xv of France (1715–74) promulgated a royal order permitting the Society to remain in France, with the proviso that certain essentially liberalising changes in their institution satisfy the Parlement with a French Jesuit vicar-general who would be independent of the general in Rome. When the Parlement by the arrêt of 2 August 1762 suppressed the Jesuits in France and imposed untenable conditions on any who remained in the country, Clement Xiii protested against this invasion of the Church's rights and annulled the arrêts. Louis Xv'S ministers could not permit such an abrogation of French law, and the King finally expelled the Jesuits in November 1764.
Clement Xiii warmly espoused the Jesuit order in a papal bull Apostolicum pascendi, 7 January 1765, which dismissed criticisms of the Jesuits as calumnies and praised the order's usefulness; it was largely ignored: by 1768 the Jesuits had been expelled from France, the Two Sicilies and Parma.
In Spain, they appeared to be safe, but Charles Iii of Spain (1759–88), aware of the drawn-out contentions in Bourbon France, decided on a more peremptory efficiency.
During the night of 2–3 April 1767, all the Jesuit houses of Spain were suddenly surrounded, the inhabitants arrested, shipped to the ports in the clothes they were wearing and bundled onto ships for Civitavecchia.
-The King's letter to Clement Xiii promised that his allowance of 100 piastres each year would be withdrawn for the whole order, should any one of them venture at any time to write anything in self-defence or in criticism of the motives for the expulsion, motives that he refused to discuss, then or in the future.
Much the same fate awaited them in the territories of the Bourbon Duke of Parma and Piacenza, advised by the liberal minister Guillaume du Tillot. In 1768, Clement Xiii issued a strong protest (monitorium) against the policy of the Parmese government. The question of the investiture of Parma aggravated the Pope's troubles. The Bourbon Kings espoused their relative's quarrel, seized Avignon, Benevento and Pontecorvo, and united in a peremptory demand for the total suppression of the Jesuits (January 1769).
Driven to extremes, Clement Xiii consented to call a consistory to consider the step, but on the very eve of the day set for its meeting he died, not without suspicion of poison, of which, however, there appears to be no conclusive evidence.
Ecumenism, Clement Xiii backed plans to reunite the Catholic Church, with Old Catholic branches that split from Rome in 1724 over the issue of Papal authority, as well as with Protestants. This made little progress since Clement refused to compromise on doctrine with Protestants or on Papal authority with Old Catholics.
In support of this policy, he recognised the Hanoverians as Kings of Great Britain despite the long-term residence in Rome of the Catholic House of Stuart. When James Francis Edward Stuart, aka James Iii died in 1766, Clement refused to recognise his son Charles Edward Stuart as Charles Iii, despite the objections of his brother Cardinal Henry Benedict Stuart.
Clement Xiii created 52 new cardinals in seven consistories in his pontificate. The pope created his nephew Carlo as a cardinal in his first consistory and later created Antonio Ganganelli - who would succeed him as Pope Clement Xiv - as a cardinal.
The pope approved the cultus for several individuals: Andrew of Montereale and Vincent Kadlubek on 18 February 1764, Angelus Agostini Mazzinghi on 7 March 1761, Antoine Neyrot on 22 February 1767, Augustine Novello in 1759, Elizabeth Achler on 19 July 1766, James Bertoni in 1766, Francesco Marinoni on 5 December 1764, Mattia de Nazarei on 27 July 1765, Sebastian Maggi on 15 April 1760 and Angela Merici on 30 April 1768. He formally beatified Beatrix of Este the Elder on 19 November 1763, Bernard of Corleone on 15 May 1768 and Gregorio Barbarigo on 6 July 1761.
Clement Xiii canonized four saints in his pontificate: Jerome Emiliani, Joseph Calasanz, Joseph of Cupertino, and Serafino of Montegranaro on 16 July 1767.
Death, Clement Xiii died during the night of 2 February 1769 in Rome of an apoplexy. He was laid to rest on 8 February 1769 in the Vatican but his remains were transferred on 27 September 1774 to a monument in the Vatican that had been sculpted by Antonio Canova at the request of Senator Abbondio Rezzonico, the nephew of the late pontiff.
From the Annual Register, for 1758: Pope Clement Xiii was "the honestest man in the world; a most exemplary ecclesiastic; of the purest morals; devout, steady, learned, diligent
Provenance bought from a fine art auction antiques interior sale in Oxfordshire.
Highly sought after due to the collectible nature of the religious subject matter.
With hanging thread on the back ready for immediate home display.
Incredible conversation piece for your guests.
We only select & sell paintings based upon quality & significance.
We understand your purchase is for your home or as an investment.
We provide our clients with friendly professional customer service.
International buyers worldwide shipping is available please ask for a quote.
Viewings are welcome by appointment only for customer support please send a message thankyou.
Checkout our exciting other available listings in our shop gallery, happy shopping.
measurements
High (119cm)
Wide (104.5cm)
Depth (3cm)
declaration
Cheshire Antiques Consultant LTD has clarified that the Old Master 18th Century Italian Oil Painting Portrait Pope Clement XIII (LA394361) is genuinely of the period declared with the date/period of manufacture being 18th century
condition
Condition report.
Offered in fine used condition.
Having various foxing staining, craquelure and paint loss in places to the painting surface, paint touch ups in places it has also been relined. With some noticeable scuffs, wear, chips, losses to the frame in places commensurate with usage & old age.
additional info
Period:
Material:
Origin:
Date of Manufacture:
18th century
location
This Old Master 18th Century Italian Oil Painting Portrait Pope Clement XIII is located in Greater London, United Kingdom
Share:
A selection of items from Cheshire Antiques Consultant LTD
Cheshire Antiques Consultant LTD has 339 items available.Old Master Oil Painting 18th Century Italian Baroque Apollo & Marsyas - After Filippo Lauri
£ 45,000
€53,947$60,232
Cheshire Antiques Consultant LTD
Old Master 18th Century Oil Painting Classical Figures Musical Recital & Satyrs
£ 45,000
€53,947$60,232
Cheshire Antiques Consultant LTD
Early 17th Century Oil Painting Portrait Dutch Golden Age Merchant
£ 8,000
€9,591$10,708
Cheshire Antiques Consultant LTD