Kaj Molter (DANISH, 1903-1981) LOVELY ANTIQUE CITYSCAPE OIL ON CANVAS PAINTING
A lovely original mid 20th Century Signed Oil on Canvas Painting depicting a 1940's / 1950's Vintage European Architectural Street Scene.
The highly detailed, all-original work is signed lower right corner:
'K. Molter' (Kaj Molter) 1903-1981
The wonderful image portrays life during the Mid 20th Century in a European City. Molter was a prominent Danish Cityscape artist who specialised in painting scenes that reflected the beauty of Architecture and the everyday activity of the people who lived in those cities.
As these marvellous images demonstrate, he was a highly accomplished and very talented artist, and the attention to detail throughout the work is gorgeous.
The buildings are depicted in incredible attention to detail. The tall Church/Cathedral steeple has highlights of Gold-leaf, whilst the sunlight reflects the street on the right into the main road.
The people too are portrayed in a beautiful realistic but almost impressionist manner. The Gentleman on the left pavement appears to be physically moving towards the viewer.
This is one of 4 original works that we purchased from the same owner (The other examples are advertised separately).
Mounted within the original impressive reeded gilt frame, both Painting and frame are in a stunning original condition commensurate with its age.
For further information regarding condition, shipping, returns, and payment please read below.
Oil on canvas
Signed lower right corner:
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Our Fine Art Listing Terminology & Qualifiers
When a listing's heading reads ''by'' and is followed by the artist's full name (or the artist's initials, if his full name is unrecorded), the work is in our opinion by the artist.
When the term ''signed by'' is used, in our opinion the work has been signed by the artist.
When the expression "attributed to" is used, the work is in our opinion possibly a work by the artist, in whole or in part.
When the expression ''circle of'' is used, the work is in our opinion a work of the period of the artist and showing his influence.
When the expression ''follower of'' is used, the work is in our opinion a work executed in the artist's style but not necessarily by a pupil.
When the expression ''manner of'' is used, the work is in our opinion a work executed in the artist's style but of a later date.
When the term "after" is used, the work is in our opinion a copy or imitation (of any date) of a work by the artist.
When the term ''bears signature'' is used in our opinion the signature is by a hand other than that of the artist.
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